​In the past couple of months I’ve picked up a number of nifty pieces for my “Heinlein Cover Art” galleries.
 
At the wonderful Dawn Treader bookshop of Ann Arbor I got a quaint Steele Savage cover for Red Planet—a painting that unfortunately does not catch the three-leggedness of Heinlein’s Martians as Darrell K. Sweet of course does—and a few more things.  On ye olde internet I also at last found the March 1959 F&SF with “ --‘All You Zombies’.”

In addition, I was able to pick up even rarer things like the April 1941 Astonishing Stories with “Beyond Doubt,” the May 1940 Super Science Stories with “Let There Be Light” (pictured here), the November 1941 Super Science Stories with “Lost Legacy,” the March 1942 Astonishing Stories with “Pied Piper”…and a few more paperbacks I can’t quite recall.  I also finally got my own copy of the June 1952 Popular Mechanics showcasing Heinlein’s then-futuristic house.
 
Oh, yes—and I posted some gorgeous Frank Frazetta art from Edgar R. Burroughs’ Barsoom novels in my “Paperbacks, Etc.” gallery.
 
Enjoy!
 
Rafeeq

Recently a friend of mine was in Germany, and she kindly picked me up a neat German-language copy of Sixth Column.  Danke, mein fraulein!

Originally the tale was serialized in Astounding Science-Fiction, in January, February, and March of 1941 under the Anson MacDonald byline, of course, and scans of the Hubert Rogers cover art and Schneeman interiors can be seen in the Pulp Magazines page of my Heinlein Cover Art galleries.

Afterward the piece was published in book form in 1949, under this title and also as The Day After Tomorrow.  In any event, the cover art for this version of the book, like the others, is posted in my Earlier Adult Works page.

Enjoy!

​Rafeeq

Lately I’ve been picking up some stray Heinlein that my collection has lacked, and although I haven’t blogged about all the incoming pieces, here’s a random piece of interest: a reprint of the 1952 story  “Sky Lift” in the August 1958 issue of a semi-girlie magazine called Rogue for Men.  In addition to a number of racy photos, though, there also is a nifty illustration for the Heinlein story by D. Bruce Derry.  This—along with the shots from original appearance in Imagination, of course—can be found in the Pulp Magazines page of my Heinlein Cover Art galleries.

Enjoy!

Rafeeq

Leigh Brackett’s “The Beast-Jewel of Mars” is a neat story about using a sort of reverse-evolution regression as illicit entertainment or drug.  I had read it in a collection I picked up a year or two ago, but recently I found a copy of the 1942 Planet Stories that originally published the story.  I liked the story, and the flashy 1940s cover was so great that I figured I had to get it.

I opened up a new page in my Other SF Art galleries, specifically Pulp Magazines, so now I have a place to post the illustration at left.

Enjoy!

Rafeeq

Currently I am in the middle--well, more like the first 20%, actually--of a project to catalog my library onto a single Excel.  I've considered this for years, and finally have begun to take the plunge.

In any event, I just discovered that the October 1941 issue of Astounding, which features "By His Bootstraps," actually also contains the Heinlein story "Common Sense," along with five interior drawings.  Great!

How I had missed this previously, I don't know.  Now, however, they are posted to the "Pulp Magazines" page of my Heinlein cover art galleries.

Enjoy!

​Rafeeq

A bit belatedly, I realized that “Gulf” was not a stand-alone story when published in Astounding Science-Fiction in 1949, but instead was serialized across two issues.  I rectified that wee lack in my collection, therefore.  The cover, which is colorful and interesting, is by someone I confess I had never heard of, but the interiors for the Heinlein story still are by the familiar Hubert Rogers.  Almost as soon as the old pulp came in the mail, I scanned the appropriate parts, and they now are posted in the “Pulp Magazines” area of my voluminous Heinlein galleries.

Enjoy!

Rafeeq

Recently I picked up a nifty old Space Cadet with lovely cover and interiors by Clifford N. Geary, plus the two issues of Boys’ Life that serialized the story “Nothing Ever Happens on the Moon” in 1949.  These magazines are harder to come by than more usual ones like Astounding, I would say, and the interior illustrations happen to be quite nicely rendered.

Now the art from these pieces all is scanned, and posted to the appropriate pages in my huge Heinlein Cover Art galleries.

Enjoy!

Rafeeq

I was working on a chapter about Heinlein yesterday, and I had need to cross-reference some familiar book-published versions against the original versions serialized in magazines in the 1940s and 1950s.  These happened to bear out a couple of suppositions I had had, but more important right now is that I discovered that I somehow had neglected to scan and post two nifty Hubert Rogers interiors for “ ‘If This Goes On—’ ” from the February 1940 issue of Astounding Science-Fiction.

This was quite an oversight indeed, but at last I have posted these Hubert Rogers illustrations to the “Pulp Magazines” page of my “Heinlein Cover Art” galleries.

Enjoy!

​Rafeeq

Over the past couple of weeks I received a March 1952 Galaxy with “The Year of the Jackpot,” plus the February,March, and April 1956 issues of Astounding Science Fiction, in which are serialized Double Star.

​The art—especially the Kelly Freas for Double Star—is lovely.  All-up I had 23 scans to do, both easy-peasy covers plus significantly trickier interiors, but at last all are done, and all are posted; “The Year of the Jackpot” art is at “Pulp Magazines,” while the art from Double Star is at “Serialized Novels.”

Enjoy!

​Rafeeq

I was in Chicago for a few days, during which my mail brought some nice old magazines of Heinlein.  For starters, I received three issues of The Magazine of Fantasy and Science Fiction: the first installment of Have Space Suit--Will Travel in August 1958 with a beautifully detailed and plot-correct cover by Ed Emshwiller, an installment of The Door Into Summer from December 1956 with Kelly Freas cover, and the August 1957 issue with “The Menace from Earth” under a cover from someone named Barry Waldman.

In addition, I received two hard-to-find pulps with less-famous Heinlein stories: “Columbus Was a Dope” in the May 1947 issue of a Startling Stories splashily covered by the inimitable Earle Bergey, and the light fantasy tale “Our Fair City” in the May 1949 Weird Tales.

Then, as long as I was in a big city, I figured I'd poke around a couple of bookstores to see if I could find any Heinlein I didn‘t already have.  Indeed I could: hardcovers of To Sail Beyond the Sunset and Requiem, which I had had only in paperbacks, plus more modern Glory Road and Red Planet.  The prices were decent, so I picked ‘em up.

At last all are scanned, and all are posted to my Heinlein Cover Art galleries.

Enjoy!

Rafeeq